Heyy, I had a lovely workshop at Everybody’s Reading Festival and would definitely do it again. The festival is still going on this month and you should go to the events. Particularly looking forward to the Black History Month Special Man on the Moon written and performed by Keisha Thompson on the 31st. She is also giving a workshop at Word! a few hours before the show on the same day on Afrofuturism. Signal boost to any Black writers and performers reading this.
The theme this year is “truth”, and the National Poetry Day organisers have requested poets to write, perform and video record their work on the subject.
Here is mine. It’s called “Dark Truths/White Lies”. It has captions and it’s included on the video description, but I include the written poem here too anyway.
Dark Truths/White Lies
When I speak the truth,
the truth gets stolen.
As it comes out
by stranger hands
from stranger friends
I’d put my trust
in those same hands.
Those hands around
– still say it was my fault.
Ignore the marks.
In the autopsy,
who chose to bury dark truths
in favour of white lies.
the pebbles in their path
is grim but real.
To dance with the devil,
you have to push some people down the stairs.
To replace your dark truths with white lies,
you have to chop some heads off.
But speakers of the truth,
run around for a while
after you think you’re done with them.
featured image credit: Life on the Slow Lane.
Going to start posting book reviews here every now and then because content.
Content warning: mental health, leg amputation, near-death experience. On video: this, plus family death, internalised fatphobia.
In 2013, Jackie Hagan was given the opportunity to work on a play about growing up. Around the same time, she was also given ankle blood clots, a long stay at the hospital and a near-death experience. From the healing process, Some People Have Too Many Legs was born.
Bisexual, bipolar, unipede. This is the script for a play that definitely needs to become a film. Like a Michel Gondry or Julie Taymor film. Or directed by Jackie herself. There are rainbow lights, unicorns, bubbles, Welsh maggots, teddy bears, and plenty of quotable quotes.
As per request, we cannot say that Hagan is brave for living in her own body, but she certainly is brave for speaking her truth with no additives and without trying to play it “nice”.
The review was meant to be only for the book, but we’re in for a treat! Here’s a version of the performance, as presented at Bristol Old Vic in November 2015 and filmed by Darren Paul Thompson. It’s almost an hour long, so sit down, get comfy, come into her disco forest grotto circus rocket and travel through decades, wine glasses and hospital beds. And if you need to iron some clothes, iron with a shoe, for Edna’s sake.
Almost a decade late to the Rotation Curation party, but never too late, I guess: this week I am curating the TwkLGBTQIA+ twitter account.
Every week, @TwkLGBTQ gets a different person from the sparkling rainbow of lesbians, gays, bis, trans, queer, intersex, asexual and more across the world, to share their stories, establish conversations and get us to know what their lives are like in their current times and spaces.
So yeah, come over.
Leicester Meatspace: Remember I’m still opening for La JohnJoseph’s A Generous Lover, brought to you by the ever so lovely WORD! Leicester. 12 September, 7pm-9pm, Attenborough Arts Centre. It’ll be kaleidoscopic. You can still get your tickets online, by phone or right at the venue.
On Thursday 12th September, I’ll have the privilege of opening for fabulous, kaleidoscopic, multimedia British-American performer La JohnJoseph. They will bring their show A Generous Lover to Attenborough Arts Centre.
The true, and very queer tale, of one soul’s journey through the wasteland of mental illness, to deliver their lost love. Selected as one of The Scotsman’s top 10 pick of Edinburgh Fringe 2018. La JJ has presented performance work across the UK including the Royal Opera House, Bristol Old Vic, HOME and the Southbank Centre, as well as internationally.
“Both campy and moving, this story of love and insanity mixes humor with pathos.” – The New York Times
“Elegant, incisive and intoxicating …powerfully mobilises the distinctive forms and sensibilities that make them such a rich, compelling artist” – The Scotsman
“Horrifying and funny and defiantly beautiful” – Frieze
La JJ has presented performances at the Royal Opera House, Deutsche Oper, Bristol Old Vic, Barbican, Schaubühne (Berlin), Art Basel Hong Kong, MoMA (SF), Dixon Place (NY), Martin-Gropius Bau (Berlin), Fancy Him (Tokyo), La Java (Paris) & MAC (Rio). They have also joined such luminaries such as Justin Vivian Bond, Taylor Mac, Arcade Fire and Paloma Faith onstage.
La JJ is the author of five plays, including “Boy in a Dress” (2012) and “A Generous Lover” (2018) which will be published in a joint volume by Oberon in Sept 2019. La JJ’s book, “Everything Must Go” was shortlisted for the Polari First Book Prize and a Lambda Literary Award. They are currently writing the follow-up.
Tickets for A Generous Lover by La JohnJoseph are avalailable on the ATT website. It would be amazing if you came over and saw it.
The past month was a month of losses and disappointment. This month, I am trying to regain my strength, sense of self and trust in other people. Therefore, I am spending it with those who believe, listen, communicate and fight side by side as allies and colleagues.
Last night, I went to see a couple of really good eggs perform Upstairs at the Western. Charles Wheeler and Rosa Fernandez are staples of the Leicester spoken word and poetry scene. So it was really pleasant to see them on their own presenting new and old work for 45 minutes each.
Charles Wheeler successfully completed this year’s National Poetry Writing Month (NaPoWriMo) challenge in April. He wrote, more or less, one poem a day, partially following prompts but mostly following a main topic. NaPoWriMo happens to coincide with Autism Awareness Month, and Charles is autistic. Thus, the poems are about autism from the point of view of an autistic person. These poems deal with misunderstandings, coping mechanisms, the struggle of survival when the world bombards you through all five senses, well-meaning and ill-meaning neurotypical strangers, researchers who treat the autistic community like lab rats, and violently dreadful puppet shows.
Charles is loud, passionate, and you live – or at least try to — through his words. Wrestling references, science, left-leaning (more like compassionate, I’d say) politics and being “extremely online”. I stand by my back cover quote where I say that he “is one of about five cis men I wouldn’t happily kill”.
Rosa Fernandez is also an outstanding performer and writer. She goes to almost every poetry night in town and charms people from all walks of life with her wit and sass. She has a lot of fun with metric challenges, particularly haikus, and actually released a small haiku scene last year. You can get them from her wherever you find her. She can also deliver sonnets, villanelles and pretty much any other type of metric poem you suggest.
On stage, Rosa is charming and multifaceted. Her show is about her daily routine of “eat, sleep, work (from home, sometimes), repeat”. She plays the ukulele. She reads your future. She gives you biscuits as she sings you a lullaby. She agrees that Jaffa Cakes are cakes and not biscuits, but still brings them anyway. Her slippers are glittery, so I reckon she can walk into the Met Ball wearing them.
David from Upstairs at the Western challenged Charles and Rosa to do a collective piece. So, at the end of the show, they did a round of Cards Against Humanity but change the name to David Against Humanity and the answer to everything was “David made us do it”. So David is guilty of everything, from you losing your virginity to the end of the world. But he is the most guilty (or innocent?) of hosting such excellent poetry and performance art shows in Leicester in such a homely venue.
Something I really, really love about poets like Charles and Rosa is that not only do they speak their truth, but they are still eager to learn and share. Constantly honing their craft, not afraid of asking for advice and not hoarding their wisdom and skills away from others. They are well-rounded people on and off stage, and I am very proud to still consider them friends even after a lot of community earthquakes. They have their head on their shoulders but their eyes on the skies. They talk and they listen. They love a challenge. They have ambitions and dreams, but they still remember who they are and where they come from. A lot of local, national, and international performers could learn from that.
Whenever you can, please read their stuff. Go to open mics and poetry events in your area. Go to workshops and hangouts if you can afford them. If not, ask for concessions. Get their zines in the flesh (in the paper?) or read them online.