With the whole pandemic going on, this year’s Burning Eye Books releases are staggered. A lot of release parties postponed, cancelled or moved to online (again, gotta love an online event).
So, it looks like Meanwhile will be released in October instead of September. Will add more updates as time goes by, including book release party, tour, or whatever comes next. Smoke signal book tour? Message pigeon delivery service? We’ll see how this match of Civ VI our society is stuck in continues.
Take lots of care. Stay safe, wherever you are. Love you.
It’s my birthday today. 34 years old now, and we’re mostly celebrating indoors watching television and cuddling the cat.
Coincidentally, I got another present: my interview on Gem Kennedy’s Queers & Co. podcast is out now. For a bit more than half an hour, I talk to Gem about Anglophilia and soft power, racism in the queer punk scene, writing poetry, migration and so on . You should listen to it. While you’re at it, also listen to previous episodes with fabulous guests such as Cameryn Moore, Lady Blue Phoenix and Imogen Fox.
CW: COVID-19, health risk, self-isolation, quarantine
These times are scary and uncertain. People are ill and dying due to selfishness and inconsideration from the government and the general public. It was not until this week that universities and other institutions shifted their services from presential to online, while pubs and leisure centres were only closed last night – after a bunch of glazed hams packed their locals for a few cheeky pints goodbye.
As a person at high risk due to my chronic conditions, I have been self-isolating at home for about ten days now. It looks like I will spend the remainder of March indoors. We had to cancel our visit to relatives in Mexico (where there are fewer cases and quicker security measures) for Spring Break, as well as a university trip to Amsterdam and Brussels later in April. University is now providing online-only lectures. I had an informal one yesterday, catching up with coursemates and lecturer (who has the main symptoms of COVID-19 and is recovering at home). It was wholesome. I also joined a Zoom meeting from the Labour party with a lot of grassroots discussion featuring Jeremy Corbyn. The other day, I spoke on the phone to a friend; and I’ve been regularly in touch with family.
It’s quite odd, but in this state of isolation, I feel a lot more involved with the issues and people I love and care about than in “normal circumstances” aka semi-automated austerity heteropatriarchal underworld capitalism. Been saving a lot of spoons that I used to spend on preparation and commuting. No pressure to trek it into places that take time and money to reach. No longer having to put on a glam face, pretending things are fine, chasing arbitrary targets of success. We all just sit down, unkempt, in front of the webcam, and talk to each other in solidarity, sharing ideas much easier with the help of technology. Gaining access to free books, intimate gig streams, words of advice, movie-watching and gaming.
The possibilities have always been there. We could have taken them before all of this happened. But now that we have them and we know how to use them, we must not let them go.
Once/if/when we are back to normal, let’s make our events as accessible as possible. Affordable and comfortable in person and online. Reach out as many as possible. The chronically disabled, to whom the curfew never ends. Those kept apart from us by geography, economy, architecture, medicine, law. Make our practices available and sustainable, for our customers/audiences and ourselves. Don’t be afraid to say yes. Don’t be afraid to say no. Don’t be afraid. Be prepared.
The first Young Adult verse novel in Dean Atta’s catalogue, feels like a warm hug to my inner child, inner teenager, inner baby queer.
We grow through over 300 pages (over three hours as an audiobook — you must listen to the poets read their work whenever you can) along Michael’s journey of self-discovery within his family, his school(s) and university, and the world we share together. Through friendships, heartbreak and ignorance from the people surrounding him, and our own ignorance, as he is the sole holder of his ever-shifting truth. A fabulously proud miracle of melanin in a sea of pink.
Between the narrative verses of his story, there are poems within poems, textual conversations where the unspoken speaks volumes, user manuals for drag, performance, gender, race, origins, destinations.
Michael (and Atta) never forgets who he is and where he comes from, regardless of occassional turbulence in his flight, and always takes the opportunity to give a shout out to other black queer pioneers and trailblazers, from Beyonce and Audre Lorde to Jacob V Joyce and Chardine Taylor Stone. The last two, people I am blessed to know in person as influential figures, colleagues and friends. I have also been honoured to have taken workshops under Atta’s guidance in the dearly departed Mouthy Poets collective, the Pangea Poets project, and the MAC in Birmingham. It is amazing to see him thrive and reach audiences of all ages across the world, hopefully inspiring them all to write their stories, their guides, their truth.
Waiting for the sequel, to see Michael grow through the rest of his university years, drag and poetry career, and life. What happens to his friends, to that one cutie from the London hip hop gay club, and that no-so-cute person at the end. Not going to give out any spoilers, but Michael is fierce, beautiful, handsome and brave. Leventis, as those girls at the beach say. Leventis indeed.
Heyy, I had a lovely workshop at Everybody’s Reading Festival and would definitely do it again. The festival is still going on this month and you should go to the events. Particularly looking forward to the Black History Month Special Man on the Moon written and performed by Keisha Thompson on the 31st. She is also giving a workshop at Word! a few hours before the show on the same day on Afrofuturism. Signal boost to any Black writers and performers reading this.
10 October 2019 6pm to 8pm Sharing Space, Portland Building De Montfort University
Based on the concept of liminality, this poetry and performance workshop aims to motivate those who feel stuck between nationalities, races, genders, bodies, legal and educational status. Open to everyone, particularly refugees, migrants, survivors of domestic abuse and members of the LGBTQ+ community.
Here we can create and share work in a safe environment, following prompts and inspiration from other liminal poets and give performance and confidence advice to those who want to speak their truth but don’t know how.
The workshop will be provided by Cynthia Rodriguez, a Mexican-British writer and performer who writes from between the lines based on their life as a non-binary migrant whose ethnicity and background cannot be found in the regular British census.
This event is organised as part of Everybody’s Reading, a month-long festival aiming to inspire Leicester to read, write, listen and speak. The rest of the programme is also really good and highly recommended.
While the event takes place at De Montfort University, attendants don’t have to be students or staff members of the institution to attend. Just be excellent to each other.
The event is +18 only since difficult and upsetting topics might be discussed. We have a safer spaces policy and assistance in case anyone needs it.
Bisexual, bipolar, unipede. This is the script for a play that definitely needs to become a film. Like a Michel Gondry or Julie Taymor film. Or directed by Jackie herself. There are rainbow lights, unicorns, bubbles, Welsh maggots, teddy bears, and plenty of quotable quotes.
As per request, we cannot say that Hagan is brave for living in her own body, but she certainly is brave for speaking her truth with no additives and without trying to play it “nice”.
The review was meant to be only for the book, but we’re in for a treat! Here’s a version of the performance, as presented at Bristol Old Vic in November 2015 and filmed by Darren Paul Thompson. It’s almost an hour long, so sit down, get comfy, come into her disco forest grotto circus rocket and travel through decades, wine glasses and hospital beds. And if you need to iron some clothes, iron with a shoe, for Edna’s sake.
Almost a decade late to the Rotation Curation party, but never too late, I guess: this week I am curating the TwkLGBTQIA+ twitter account.
Every week, @TwkLGBTQ gets a different person from the sparkling rainbow of lesbians, gays, bis, trans, queer, intersex, asexual and more across the world, to share their stories, establish conversations and get us to know what their lives are like in their current times and spaces.
So yeah, come over.
Leicester Meatspace: Remember I’m still opening for La JohnJoseph’s A Generous Lover, brought to you by the ever so lovely WORD! Leicester. 12 September, 7pm-9pm, Attenborough Arts Centre. It’ll be kaleidoscopic. You can still get your tickets online, by phone or right at the venue.
On Thursday 12th September, I’ll have the privilege of opening for fabulous, kaleidoscopic, multimedia British-American performer La JohnJoseph. They will bring their show A Generous Lover to Attenborough Arts Centre.
The true, and very queer tale, of one soul’s journey through the wasteland of mental illness, to deliver their lost love. Selected as one of The Scotsman’s top 10 pick of Edinburgh Fringe 2018. La JJ has presented performance work across the UK including the Royal Opera House, Bristol Old Vic, HOME and the Southbank Centre, as well as internationally.
“Both campy and moving, this story of love and insanity mixes humor with pathos.” – The New York Times
“Elegant, incisive and intoxicating …powerfully mobilises the distinctive forms and sensibilities that make them such a rich, compelling artist” – The Scotsman
“Horrifying and funny and defiantly beautiful” – Frieze
La JJ has presented performances at the Royal Opera House, Deutsche Oper, Bristol Old Vic, Barbican, Schaubühne (Berlin), Art Basel Hong Kong, MoMA (SF), Dixon Place (NY), Martin-Gropius Bau (Berlin), Fancy Him (Tokyo), La Java (Paris) & MAC (Rio). They have also joined such luminaries such as Justin Vivian Bond, Taylor Mac, Arcade Fire and Paloma Faith onstage.
La JJ is the author of five plays, including “Boy in a Dress” (2012) and “A Generous Lover” (2018) which will be published in a joint volume by Oberon in Sept 2019. La JJ’s book, “Everything Must Go” was shortlisted for the Polari First Book Prize and a Lambda Literary Award. They are currently writing the follow-up.
Sometimes I low key miss the days in which wealthy families gave housing, food and money to artists in exchange of portraits and decoration. Or when posh people were pals with writers and let them stay in their house, gulp absinthe and write sonnets in the mountains.
But you don’t need to be a Medici or a Lord Byron to help a caffeinated creator survive.
I got a Patreon account and at the moment I don’t know much about what to do with it. If you pledge to give small amounts of money per month, I can email you about life and we can talk and share advice and whatever. Once I start getting more into undisclosed projects, I can let you sneak a peak or something.
Just click on this link and choose your perk:
I still have a ko-fi account apparently, if your thing is more of a one-off. I haven’t updated my website address in there, but if you want to buy me a cuppa, it’s cool.
If you just want to give and being a selfless sugar parent is your thing, there’s always PayPal, and you can just click on that word. 🙂