{"id":149126659,"date":"2024-09-20T00:44:39","date_gmt":"2024-09-20T00:44:39","guid":{"rendered":"https:\/\/cynthiarodriguez.org\/2024\/09\/20\/la-pintura-y-el-pintor-como-seres-vivos\/"},"modified":"2025-07-20T23:58:03","modified_gmt":"2025-07-20T23:58:03","slug":"la-pintura-y-el-pintor-como-seres-vivos","status":"publish","type":"post","link":"https:\/\/cynthiarodriguez.org\/eng\/2024\/09\/20\/la-pintura-y-el-pintor-como-seres-vivos\/","title":{"rendered":"La pintura y el pintor como seres vivos"},"content":{"rendered":"<h2 class=\"wp-block-heading\">Recuerdos de Yui Sakamoto y la exposici\u00f3n Poprock 12\/8.<\/h2><figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/substack-post-media.s3.amazonaws.com\/public\/images\/067ab1ba-39a4-4a4e-81f8-41e36bb06f93_733x757.png\"\/><\/figure><p>Cuando pienso en mi tiempo en la Licenciatura en Artes de la UDEM, uno de los momentos m\u00e1s significativos fue trabajar con <strong><a href=\"https:\/\/www.matthewreveles.com\/blog\/rest-in-peace-yui-sakamoto\">Yui Sakamoto<\/a><\/strong> a finales del 2008 en nuestro <strong><a href=\"https:\/\/repositorio.udem.edu.mx\/handle\/61000\/4281\">Proyecto de Evaluaci\u00f3n Final<\/a><\/strong>. Con la exposici\u00f3n <strong>Poprock 12\/8<\/strong>, Yui trajo a la vida su visi\u00f3n del arte ef\u00edmero al intervenir el interior de la galer\u00eda <strong>El Color de los Sue\u00f1os<\/strong> en Barrio Antiguo, desafiando las convenciones del arte popular al ritmo de un comp\u00e1s m\u00e1s experimental. Mientras yo me encargaba de los botes de pintura y los detalles log\u00edsticos, y nuestra compa\u00f1era <strong>Ivonne Beltr\u00e1n<\/strong> se encargaba de darnos <em>ride<\/em> y desarrollar el marco te\u00f3rico y museogr\u00e1fico, \u00e9l era el genio creativo que nos invitaba a encontrar <strong>nuevas formas de relacionarnos con el arte.<\/strong><\/p><figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/substack-post-media.s3.amazonaws.com\/public\/images\/0e063556-a352-4abf-ac7e-4e00de5e3745_690x718.png\"\/><\/figure><h3 class=\"wp-block-heading\"><strong>\u201cTodas las pinturas tienen que morir\u201d<\/strong><\/h3><p>As\u00ed es como comenzaba el manifiesto de Yui, y su proyecto lo reflejaba. <strong>La galer\u00eda se convirti\u00f3 en un espacio vivo, <\/strong>donde los asistentes pod\u00edan dibujar, firmar o simplemente interactuar con las superficies pintadas. &#8220;<strong>La pintura est\u00e1 viva<\/strong>&#8220;, tambi\u00e9n dec\u00eda, y su manera de ver el arte me cambi\u00f3 la perspectiva. Era una <strong>experiencia colectiva<\/strong>, lejos del elitismo de los museos, donde las obras est\u00e1n &#8220;muertas&#8221; bajo luces inmutables.<\/p><figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/substack-post-media.s3.amazonaws.com\/public\/images\/aa4b440d-538a-4489-bec1-74a4056efc24_780x601.png\"\/><\/figure><h3 class=\"wp-block-heading\"><strong>Momentos compartidos<\/strong><\/h3><p>Pasar tiempo con Yui fue un privilegio. En clases dec\u00eda que no hablaba espa\u00f1ol, aunque en realidad <strong>sab\u00eda mucho m\u00e1s de lo que admit\u00eda<\/strong>, incluso c\u00f3mo maldecir. Nos junt\u00e1bamos en su casa a escuchar a Gorillaz y Flaming Lips, a jugar con sus perritos, tomar cerveza y comer ramen. Era serio y atento, pero con una <strong>sonrisa constante<\/strong>. Despu\u00e9s \u00e9l y su esposa, la tambi\u00e9n pintora <strong>Ena Sakamoto<\/strong>, se mudaron a San Miguel Allende, donde tuvieron muchos hijos y continuaron ese ciclo de vida que tanto le fascinaba.<\/p><figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/substack-post-media.s3.amazonaws.com\/public\/images\/a3775d7e-9d53-40b7-913a-839dd7724491_588x443.png\"\/><\/figure><h3 class=\"wp-block-heading\"><strong>El legado de Yui<\/strong><\/h3><p>Lo que m\u00e1s me marc\u00f3 de Yui Sakamoto fue su forma de <strong>vivir el arte<\/strong>. Era una extensi\u00f3n de su vida diaria, sin pretensiones. &#8220;<strong>Una obra de pintura cuando vive con alguien seguro que va a tener algo<\/strong>&#8220;, dec\u00eda en su manifiesto, y esa frase se me qued\u00f3 grabada. Aunque su arte era ef\u00edmero, el impacto que dej\u00f3 en quienes lo conocimos sigue siendo tan tangible como las paredes que alguna vez pint\u00f3.<\/p><figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/substack-post-media.s3.amazonaws.com\/public\/images\/9be213f4-e881-4aaa-8f68-fd38b76915c5_685x655.png\"\/><\/figure>","protected":false},"excerpt":{"rendered":"<p>Recuerdos de Yui Sakamoto y la exposici\u00f3n Poprock 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