Cynthia Rodríguez Juárez (Monterrey, 1986, she/they) is a Mexican-British writer and performer based in Leicester.
Constantly experimenting with the possibilities of spoken word to convey everyday realities that may remain untold in media; particularly about feminist issues, cultural and countercultural shock, rites of passage, embodiement and self-preservation.
A proud Mouthy Poets alumna and UniSlam contestant, she has opened for renowned artists such as Lydia Towsey, Caroline Bird, Jonah Matranga, Hannah Swings, Penny Rimbaud, Lauren John Joseph and Jamie Thrasivoulou. She has also been published on zines such as Mouthy Poets Queer Zine and The Black Flamingo Zine edited by Dean Atta and Ben Connors. Two of her poems were featured in Welcome to Leicester, anthology edited by Emma Lee and Ambrose Musiyiwa for Dahlia Publishing.
Her debut poetry book, Meanwhile, was released in October 2020 by Burning Eye Books.
MEANWHILE. The debut poetry collection by Cynthia Rodríguez. Out now on Burning Eye Books.
This is a book about being trapped in the Meanwhile. Walking through seemingly perpetual journeys between borders, genders, nationalities and social status. As a product of mixing races, yet not mixed race. Inhabiting a large body of before with no clear sense of an after. Set to a time of one’s own, decades lost and found in the way, at the mercy of socio-political circumstances, legal procedures and test results. Cyclically prone to fail and start again.
These poems are inspired by liminality and rites of passage we cannot come back from. They look at the new millennium, where the rituals of adulthood, of becoming, of making sense as a role model citizen and perceived pillar of society, are based on capitalist milestones of maturity and self-realisation which seem impossible to those stuck in the Meanwhile.
These respectability parameters are the ones accepted for those who are locked within the narrative of ‘the outstanding migrant’, ‘the successful queer’, ‘the child prodigy’, ‘the perfect body’ and ‘the beautiful mind’; as if the only way to escape judgement and earn dignity as human beings within the margins is to fit into the media and government-approved stories of acceptance and assimilation at the right time, place and age.
Through these pages, we embrace the Meanwhile, and we embrace ourselves to get ready for whatever comes next.